![]() ![]() ![]() More About Luke Laird: Spending all day, working on a song-that’s Luke Laird. Fans can now stream or purchase Music Row right here. Rolling Stone premiered the album’s title track and first single, “Music Row,” noting that, “ The song deftly straddles the line between old Nashville and new, mixing weeping steel guitar with a computerized drum loop.” Taste of Country praised Laird’s meld of styles on “Good Friends” saying, “Steel guitar cries across the intro and chorus, but Laird’s more contemporary influences color the song with a unique and personal set of tones.” and Billboard dug deep asking 20 questions about Laird’s life and songwriting process. The release of Laird’s Artist Exclusive Splice pack comes hot on the heels of his debut solo album, Music Row a self-produced ten song collection chronicling his journey from being a kid in rural Hartstown, PA, to becoming one of the most in-demand co-writers and producers in Music City USA. “Splice has opened the door for so many up and coming producers to have access to great sounds and I’m honored to be a part of the Splice community and all of its incredible music creators.” It’s the way I start a lot of my songs so I’m excited to share some of my beatbox loops as well as other instruments and sounds,” says Laird. “I’ve loved beatboxing since I was a kid. ![]() More information on Laird’s Splice pack, as well as info on how to subscribe and use Splice, can be found right here. In all, more than 70 loops and 13 one-shot samples are included with the pack, allowing for producers to dial in thousands of combinations, use Laird’s beatbox samples as a songwriting template, or cull just one drum hit as the final puzzle piece of their song. Find drum loops and one-shots, guitar (electric and acoustic), bass, key loops, and vocals. In Laird’s first Splice pack, he shares the building blocks of any great pop, country, singer-songwriter, or indie hit. From his work on Kacey Musgraves’ Same Trailer Different Park and Pageant Material to Sam Hunt’s newest #1 single, “Hard To Forget,” Laird’s work as a producer echoes throughout Music City, U.S.A., and is now available to drop into bedroom demo sessions, songwriting sit-downs, and final mix tweaks worldwide. But now, thanks to royalty-free sound library service Splice and multiple Grammy, ACM, and CMA award-winning producer Luke Laird, producers and songwriters can tap into some of that magic with Laird’s new, exclusive Splice sample pack. super helpful in a boomy club.Novem– Nashville, TN – It’s a music producer’s personal touches and quirks that turn what they work on into gold-a “secret sauce,” if you will-and for the vast majority of producers, that sauce stays secret. also used my in ear monitors which made everything waaay easier - split the OT out and used a little mackie mixer to blend that with one of the spare outputs from the djm900, then plugged my IEMs into the mixer and blended btw my output and the master output. if anyone knows a workaround on the OT here it would be greatly appreciated! OT output into a channel on the pioneer so that james could mix me in with the cdjs as he saw fit. a little wonky but made it so i never had to stop. OT is master clock for the modular - we were using beatlink trigger for the first few shows, but since OT won’t allow you to nudge the tempo if it’s externally clocked i’d have to stop the transport and restart every time it got out of sync (could happen easily if the non-‘master’ cdj had it’s tempo changed) so for this one we just did it by hand using the arrow keys on the OT. + i loaded our splice pack on the OT, adding some rims / hats / etc occasionally there. Main rack voices are alm tyso daiko, bia and dfam, with morphagene playing sidechained noise samples, all sequenced by white whale. ![]()
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